Our group of 12, part of a YWAM outreach program, were invited to Pitesti by an enthusiastic and energetic young woman who’d witnessed us performing a street drama in Hungary. Sadly, I can’t find any record of her name. However, she was a dynamo, an internal optimist who simply made things happen. She’s the dark-haired woman in the front row, left in the image above. Her parents are on the far left. She became our local host and group coordinator. She arranged for families from her local Baptist church to billet members of our group, organised daily outings for us and translated for us wherever we went.
We drove into town late afternoon on 14 June 1990. We’d spent a full day driving through the countryside from Timisoara. Our host was shocked to see us. For two days, deadly riots had been unfolding in Bucharest, the worst violence the country had witnessed since the downfall of dictator Nicolae Ceaușescu six months earlier. She assumed we’d abandoned our journey.
Until that moment, we’d had no knowledge of these riots or their violence. Fortunately, the situation in the capital calmed down over the next few days. I vaguely recall conversations about ensuring a safe passage out of Romania for the group if things escalated. Pitesti was about 187 km from the nearest border crossing. I also recall a measure of discomfort among the local families that hosted us. They were clearly nervous about being responsible for the lives of a group of foreigners during a national crisis.
We spent eight days in Pitesti. It was an eye-opening experience. None more so than the abject poverty we witnessed everywhere we went. The nation’s collective impoverishment was the result of a draconian austerity program Ceaușescu had launched in 1980, designed to pay off Romania’s national debt within ten years. Vast chunks of economic production originally destined for domestic consumption were diverted for export, plunging the population into painful shortages and increasing hardship.
The Romanian TV channels were reduced to a single channel, which transmitted only 2 hours per day. Electricity was interrupted for hours, mostly at night. Repairs of basic infrastructure ground to a halt as spare parts disappeared. There were long lines at the grocery stores for the most basic goods, including meat, eggs, milk, bread and more. As a result, we saw queues outside stores, like the one above, and structures in disrepair wherever we went.
For example, whenever a footpath was dug up or a road repaired, the residual soil, old components, broken concrete and other debris were left piled in place. Painted surfaces were always worn and flaking. Nothing had a new coat of paint. Weeds grew everywhere. I distinctly recall that the apartment building we stayed in only had hot water for a few hours each day, and one of its external walls had a large crack running down its façade, starting at the roofline and extending for several stories.
Without a doubt, the most striking visual difference between Romania and other nations was simply the lack of advertising and promotional signage. Billboards and posters didn't exist, except for the occasional socialist propaganda poster. Neither did neon signs nor promotional signage outside stores and cafes.
The result was a remarkably clutter-free urban environment that gave local streetscapes an old pre-war newsreel look and feel. I’ve said that it felt as if I’d stepped into the world of grandparents, as if it were when they were my age. The image above came from the web. It's dated 1986. Romania looked no different four years later.
In fact, the only advertisement I recall was a faded, weather-beaten billboard promotion for the nation’s popular Dacia motorcar. It had been painted directly onto the concrete beam of a flyover bridge that spanned the motorway between Pitesti and Bucharest. The Dacia probably deserves its own blog post.
S.C. Automobile Dacia S.A., commonly known as Dacia, is a Romanian car manufacturer. It was established in 1966. For years, almost every car driven in Romania was one of a handful of Dacia models manufactured in a large facility about 15km from Pitesti. They looked like a classic small car from the 1960s. Their design remained largely unchanged for decades. We saw them everywhere we went. Often the same colour, the same dated style and in the same slightly drab condition. It was another visual prompt that left me feeling as if we’d stepped back in time.
For many of the families that hosted us, we were the first foreign nationals they’d ever engaged with. For decades, fraternising with a foreigner simply raised suspicions and invited trouble. Nicolae Ceaușescu had ruled Romania with an iron fist, ruthlessly suppressing all opposition with the help of a secret police service known as the Securitate. At its peak, the Securitate operated the largest network of spies and informants in Eastern Europe.
Neighbours, and even family members, were encouraged to spy on one another and report the most minor of civil infractions, or seditious chatter, no matter how banal. As a result, foreigners were avoided like the plague. It was fascinating to watch our hosts alternate between intense curiosity about the West and instinctive discomfort whenever they were in our presence.
I recall a conversation one evening with an older mother. I commented on the sound of children playing and laughing in the apartment grounds outside. She froze, explaining that the sound terrified her. Under Ceaușescu, parents discouraged their children from playing in groups for fear they’d inadvertently reveal a civil disobedience indiscretion happening in the home, be it a passing conversation, a black market transaction or otherwise.
I also recall our host receiving a phone call and then disappearing for hours. The calls were usually friends or neighbours advising that the local store had received a shipment of bread, eggs or some other household commodity in short supply. The shopping bags would immediately be gathered, and off she’d go to stand in a queue for hours to grab her share.
However, despite the hardships, the families in Pitesti welcomed us with open arms. Our host's father was particularly proud to have us stay. As you can see in the image above, he would break out in song or play his flute to entertain us. Given the language barrier between us, he'd decided music was the only way he could express his joy at our presence.
One night, an elderly man came for dinner. It may have been our host's grandfather. He was introduced to us as the first Christian in his village. It was a fascinating evening to hear, through our youthful interpreter, snippets of his life story. He and his extended family were truly inspirational role models. It was the first time I came to understand that wealth doesn't necessarily bring happiness. Yes, it makes the necessities of life easier to obtain. However, real joy and fulfilment come from the people you connect with along the way.
At times, this austerity created amusing moments. Our enthusiastic young host invited us to visit the town centre one day. She wanted to take pride in showing us the city’s premier department store. In particular, she wanted us to see its internal escalators. It was one of the only buildings in town that had them. Let’s just say these moving stairways were arcane in both their style, with worn wooden foot treads, and their less-than-smooth rumbling motion. Likewise, the content on sale looked more like op-shop fashion statements, and many of the goods, like everything in Romania, looked dated and lacked the functionality we take for granted.
On one of the department store’s higher floors, we came across some Smurf blue long pants. While not at all on trend, we decided they’d make superb costumes for group members playing the roles of God and Christ in our street play. However, our interest in these pants quickly drew a crowd. Within minutes, everyone wanted the same outfit as the well-dressed foreigners. I still chuckle that, for a moment, we created a hot new fashion trend in the city of Pitesti.
At times, this austerity created amusing moments. Our enthusiastic young host invited us to visit the town centre one day. She wanted to take pride in showing us the city’s premier department store. In particular, she wanted us to see its internal escalators. It was one of the only buildings in town that had them. Let’s just say these moving stairways were arcane in both their style, with worn wooden foot treads, and their less-than-smooth rumbling motion. Likewise, the content on sale looked more like op-shop fashion statements, and many of the goods, like everything in Romania, looked dated and lacked the functionality we take for granted.
On one of the department store’s higher floors, we came across some Smurf blue long pants. While not at all on trend, we decided they’d make superb costumes for group members playing the roles of God and Christ in our street play. However, our interest in these pants quickly drew a crowd. Within minutes, everyone wanted the same outfit as the well-dressed foreigners. I still chuckle that, for a moment, we created a hot new fashion trend in the city of Pitesti.
Our new costumes worked a treat. We spent a week conducting outreaches (street performances) in local churches and on the streets of Pitesti. We frequently drew crowds of several hundred people at a time. We generally conducted only one outdoor performance each day, but occasionally performed for a local church before or after these public events.
After a week of street performances and engagement with the local Christian community, we packed our bags and headed for the city of Craiova. You can follow this link to learn more about our time in this regional city of more than 300,000.
































































